A long, long time ago in 1976, in a far away land called Iowa, a convent of Roman Catholic nuns lent some retired habits to The Sugar Plum Fairies for their production of The Sound of Music. One year later, troupe member Ken Bunch moved to San Francisco and took the unreturned habits with him. On Easter Weekend in 1979, during the time of the “Castro Clone,” and being extremely bored with the conformist atmosphere, he and two friends took to the streets to challenge the world. Ken (Sister Vicious Power Hungry Bitch), Fred Brungard (Sister Missionary Position) and Baruch Golden (Sister Roz Erection) went through the streets dressed in the nun habits. They ended up at a nude beach where they were met with shock and amazement, capturing everyone’s interest. The three mock nuns next appearance was at a softball game where they performed a pompon routine that all but stole the show. By the fall of 1979, Edmund Garron (Sister Hysterectoria-Agnes) and Bill Graham (Reverend Mother Missionary Position) went to the first International Faerie gathering and encountered even more men with the calling. Our founders—Sister Vicious Power Hungry Bitch, Reverend Mother Missionary Position, and Hysterectoria-Agnes convened their friends, named the group The Sisters Of Perpetual Indulgence, and composed the everlasting mission statement:
“To promulgate universal joy
and expiate stigmatic guilt”
Origin of the Sisters’ Whiteface
by Grand Mother Vicious Power Hungry Bitch
a founder of The Sisters of Perpetual Indulgence, San Francisco
I was doing whiteface in Iowa in the mid-1970s for artistic photography sessions. My friends and I lived in a Victorian house on Iowa Avenue in Iowa City (where we started RFD, the Radical Fairy magazine). One roommate was a photographer and we would drop acid, I would get into costumes, do makeup and he would take pictures of me. It just seemed that the photos were richer and more dramatic with the whiteface on. The costumes were one way of expressing something and painting my face just added to that. When a painter begins he/she paints the canvas white first so that all the colors are more vivid.
I believe my idea of using whiteface makeup came from the film Cabaret. Two of my roommates (Donald Engstrom & Rick Graf) frequently enticed me to go to a viewing of gay-centric Hollywood films I had never seen. In those days, one had to wait for a network (ABC/NBC/CBS) nationwide airing of a film or catch a retrospective at the University of Iowa. My roommates and I went to a friend’s house for a communal viewing of Cabaret one evening. At this point in my life I was doing “gender-fuck” drag all the time. I remember painting my nails black after seeing this film and for the next year running around flashing those nails and saying “Divine Decadence,” it made such a strong impression on me. Some speculate that my initial idea for whiteface must have come from the Cockettes in San Francisco, but my knowledge of them came 1-2 years later.
After moving to a gay Fairy farm outside Iowa City, Iowa I would get dressed in a costume, paint my face, and this time do mushrooms, skipping down the country lane jumping thru imaginary hoops.
Moving to San Francisco in January 1977, I brought the 5 nun’s habits we had gotten from a Catholic convent in Cedar Rapids, Iowa. And I brought my love of whiteface.
So that Holy Saturday 1979, in a fit of boredom, I painted on the whiteface. Mish and Bruce (Barouk) Golden did not. We dressed in those nun’s habits, in our first day out in San Francisco. Yes, I was the FIRST Sister of Perpetual Indulgence to wear whiteface. I had no idea it would become part of the worldwide iconic look of the Sisters. I was just doing it for me. Because I liked it.
In the years 1979 to 1984 most of the Sisters were negative about wearing whiteface because they felt they couldn’t be “real nuns” if they wore whiteface. After all, Catholic nuns don’t wear makeup. For mostly this same reason, the Australian and British Orders did not wear whiteface, and only recently have some begun to appear in makeup.
Gradually, San Francisco Sisters began to wear whiteface because they realized that in interactions with the public, people were more drawn to the makeup with comments and enthusiasm. Besides, photographers gravitated toward it. It looked more dramatic in photographs.
When the S.F. Order dwindled to 6 members from 1984 to 1987 we ALL wore whiteface and it became one of the recognizable iconic symbols of SPI as much as the wimples, veils and habits.
Besides artistic expression, I used whiteface to disguise myself from potential sex partners. In the early 1980’s it was NOT acceptable for “real” men in our community to do drag. You were considered not a “real man” if you did drag. Word would get around that you were seen in drag and your sexual prospects dwindled accordingly. Drag was anathema, essentially “in the closet.” The thinking was “we have to be acceptable to straight people so they will GIVE US our civil rights.” As well, I just liked the idea of anonymity. Nobody knew who I was when I was in “mufti”, out of costume. This provide some very interesting eavesdropping opportunities. Listening to people talk about me without them knowing it was ME they were talking about offered me some honest opinions on what the Sisters were doing.
Today, whiteface is part of the worldwide uniform of SPI queer nuns, along with our individual wimple design. Without the wimple and habit we would just be clowns. The wimple and habit add the political aspect. The whiteface is the artistic aspect. I’m sure the Catholic Church would prefer we stop wearing the wimple and habit and just wore the whiteface. (they’d be our best friends!) The reason the church to this day is so OUTRAGED about us is that this iconic symbol has been expropriated by SPI for our own purposes. And that is POLITICAL. Whether you choose to be conscious of that political aspect of your image or not, every time you put on your habit you are making a political statement.
The makeup makes us pretty.